After German reunification, the neo-Nazi National Socialist Underground begins a killing spree while cops fight an uphill battle to catch them.

The story of a German scientist/stage magician eking out a miserly life in Rio de Janeiro's favelas until getting involved in an improbable kidnapping and ransom plot.

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两臂纹着刺青的白人青年Jerome（Karl Moore 卡尔•慕尔 饰）已经厌倦了纹身、穿钉这些毫无刺激性的小儿科时尚玩法，他希望自己看上去更像男人一些，得到更多人生体验，于是找到朋友之一的雷（Kurt D. Christenson 饰），希望在身体某个地方留下枪眼。对Jerome来说，这种极端的做法既是反对暴力的一种表达手段，又是他寻求认可的方式。当然对雷来说，枪击和针刺根本没什么两样，两者皆需要严谨的准备和程序，最好的结果是，在身体上留下个性、美丽却无害的疤痕……

Play by Howard Barker about a sculptor who works to finish off a memorial to the Royalist years, as Cromwell's men break down the surrounding cathedral walls. (from http://ftvdb.bfi.org.uk/sift/title/315346) 　　download: http://britbitsandclips.com/AR_TV.htm 　　script: http://britbitsandclips.com/PityinHistory.htm

Play by Howard Barker about a sculptor who works to finish off a memorial to the Royalist years, as Cromwell's men break down the surrounding cathedral walls. (from http://ftvdb.bfi.org.uk/sift/title/315346) 　　download: http://britbitsandclips.com/AR_TV.htm 　　script: http://britbitsandclips.com/PityinHistory.htm

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

The story of a singer who, at the peak of her fame, was in a car accident and ended up chained to a hospital bed. For 12 days, the rising star Anna Herman did not regain consciousness. In those days, she had to relive the tragic events of her childhood - the arrest of her father, accused of espionage, the wanderings of their orphaned family in Central Asia, the death of her little brother, the war and escape to Poland in the hope of hiding from her pursuers from the NKVD ... First love and first success ... None of the doctors believed that she would survive. And even if this happens, she was predicted to be completely immobile for the rest of her life. However, after 12 days in a coma, heaven gave her a chance to start life anew. And she did the impossible, becoming the "white angel" of the Soviet stage ...